Marilyn Monroe’s Personal Receipts From the Carey Cadillac Limousine Renting Company, 1962

Documenting Marilyn Monroe’s Professional and Personal Movements in 1962

From the Personal Files of Marilyn Monroe: This group of eleven original receipts from the Carey Cadillac Renting Company documents Monroe’s use of private limousine transportation during the early and mid months of 1962. The receipts record travel on specific dates in February, May, and June, providing detailed evidence of the logistical arrangements supporting her professional and personal movements throughout Los Angeles.

One receipt dated June 1, 1962 places Monroe in transit on what would become her final day of filming on Something’s Got to Give at Twentieth Century Fox. That same day marked her thirty sixth birthday, when she was photographed on set actively engaged in production.

Carey Cadillac Renting Company was a well established limousine service used by many figures in the entertainment industry. These records reflect the routine transportation infrastructure that supported Monroe’s schedule during a period when she remained professionally active.

Preserved among her personal files, the receipts provide precise documentation of her movements during the final months of her career. Together they form a clear administrative record of how she navigated the practical demands of work, meetings, and daily life.

Marilyn Monroe’s Final Birthday

Proof She Wasn’t Home Alone

June 1, 1962 marked Marilyn Monroe’s final public appearance at Dodger Stadium, where she took part in pre game ceremonies to benefit the Muscular Dystrophy Foundation. She wore a costume from her final film, Something’s Got to Give. Angels outfielder Albie Pearson escorted her to the pitcher’s mound.

Pearson later recalled,

“When she took her life, or whatever happened, it really devastated me. I looked into her eyes and she looked so lonely. I remembered every Bible verse I ever learned while I was staring at her. She asked me, ‘What? What is it you want to tell me?’ I didn’t want her to think I was some kind of a religious nut, so I held it in. It put my life on a different path from that day on. I saw past that woman’s beauty. I saw a lonesome, searching person. Her sadness had a profound effect on me.”

June 1 was also Marilyn’s final birthday. She turned 36. While some accounts suggest she spent the day alone at home, documentation from her personal files tells a very different story.

The original June 1, 1962 invoice from the Carey Cadillac Renting Company, now part of The Marilyn Monroe Collection, records her movements throughout the day.

Her driver, Rudy Kautzsky, picked her up at her Brentwood home at 5:15 AM and took her to Fox Studios. From there, Marilyn was driven to Beverly Hills for shopping, back to the studio, then to Westwood for additional errands, and again back to Fox.

Later, she was driven to 601 Mountain Drive, the home of her Something’s Got to Give co star Dean Martin. Marilyn had promised to take his ten year old son, Dean Paul Martin, to the Angels game with her.

She then went to Dodger Stadium for the evening appearance, returned home afterward, and later went to La Scala restaurant. After dinner, she was driven to Fox Studios, likely to return her costume, then home, then back to La Scala a second time, and finally home.

The invoice shows Marilyn was dropped off at her Brentwood residence at 12:30 AM on June 2.

Her driver, Rudy Kautzsky, remained one of the few trusted individuals in her inner circle. His presence at her funeral is documented in the final photo, where he is circled among those in attendance.

Category:
Invoices & Receipts
Item:
Receipts Documenting Marilyn Monroe’s Transportation During the Final Months of Her Life
Year:
1962
Service Provider:
Carey Cadillac Limousine Renting Company

Collector’s Note

As a collector, I find transportation records like these especially informative because they place Marilyn Monroe in specific locations on specific dates.

These receipts from the Carey Cadillac Renting Company document the practical arrangements that supported her daily schedule during the early months of 1962. They show how she moved between home, studio, and professional commitments, creating a clear administrative record of her routine.

One receipt dated June 1, 1962 records her transportation on what would become her final day filming Something’s Got to Give. Photographs from that day show her on set and actively working, allowing these documents to be understood alongside visual evidence of her continued professional engagement.

Preserved among her personal files, records like these help establish chronology. They provide verifiable points of reference that move the discussion of Marilyn from interpretation toward documentation.

Scott Fortner

Marilyn Monroe Collection
Founder & Owner

@mariylnmonroecollection

TheMarilynMonroeCollection

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